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Interface (MIT Press) By Branden Hookway

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Review
This is a uniquely subtle and compelling study of the human relation to technology. It quietly and insightfully threads itself through multiple disciplines to offer a truly transformative analysis of the ubiquitous yet elusive interface without which neither human nor technology can be thought.
(Mark Wigley, Columbia University, author of White Walls, Designer Dresses: The Fashioning of Modern Architecture)"A theory of the interface is a theory of culture." When interaction design becomes the liberal art of the age, the origins of interface become worth sounding. Deep below the surface, in a book whose very topic is surface, Branden Hookway has found something very different from the usual Silicon Valley origin myths, more ancient than Maxwell's daemon, more numinous than a luminous screen, and more ubiquitous lately than anything you might think of as technological apparatus. If, like Agamben, you seek immunity to the tech lords' sovereignty, you might try a jump into this fresh metaphysical read.
(Malcolm McCullough, Professor of Architecture, Taubman College, University of Michigan, and author of Ambient Commons: Attention in the Age of Embodied Information)Against its startling ubiquity in our contemporary experience of space, architecture has lacked a robust theoretical framework to engage the interface. No longer. From epistemological origins in the fluid science of the nineteenth century, through the military-industrial forges of the twentieth, to its proliferation in our own, uncertain time, Branden Hookway's bravura Interface provides an essential guide to this most ineffable of landscapes.
(Nicholas de Monchaux, Associate Professor of Architecture and Urban Design, University of California, Berkeley, and author of Spacesuit: Fashioning Apollo) About the Author
Branden Hookway teaches in the Department of Architecture and the Department of Design and Environmental Analysis at Cornell University. He is author of Pandemonium: The Rise of Predatory Locales in the Postwar World.
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